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From 26 September 2007 to 25 May 2008
and from October 2008 to May 2009
8 p.m. - Sunday: 5,30 p.m.
Monday closed
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Libretto by Giuseppe Giacosa and Luigi Illica
Reduction and dramaturgical adaptation: Gianna Volpi
Musical adaptation and Orchestra Director:
Elisabetta Del Buono
Conductor: ROSSANA SICLARI
Management: Gabriella Callea
MUSICIANS AND SINGERS
Original Setting -
Original Costumes
PICCOLA LIRICA ORCHESTRA
150
° PUCCINI
from October 2008 to May 2009, Piccolo Lirico
introduces with Tosca, Madama Butterfly
See the calendar inside the events.
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15 aprile 2007:
"Piccola Lirica: top ten must do
must see in Italy"
13 Novembre 2007:
"...it was charming, touching...
...proved a immediacy and a little
genuine pathos..."
Piccola Lirica
is an exclusive made in Italy idea by Piccolo Lirico - Teatro Flaiano, combining both tradition and new technologies, which results in a high quality product that the audience will surely appreciate. It has been chosen by The Independent (15 aprile 2007):
The top ten must-do ,
must-see in Italy, and the New York Times wrote for a big reportage on Italian productions of melodramas that the performance of Tosca is : "
charming, touching". This is also due to the fact that our representations don’t last more than 90 minutes and are extremely pleasant thanks to the structure of our cosy theatre - found in the historic centre and very close to the Pantheon. Due to the current experience and the interest shown by the audience: a very usable and appreciable product. Analyze, read over, decompose in order then to recompose some masterpieces, adding - instead of subtracting - other suggestions, deriving from literature and other disciplines of the show, this is the formula of the Piccola Lirica: to highlight the strong feelings of the works, the contrasts and all the elements that made it such a popular kind. The tradition must be safeguarded all the way because this operation challenges every convention. Challenging conventions consists in representing the classical masterpieces, traditionally showed in the opera houses, in a historical theatre, having them executed by the best singers and musicians selected in competitions: artists with a future rather than a past; conceptually interpreting through dynamic scenes and light-designs, places and feelings, giving back to the public all the emotion - amplified just by the close contact with the scene.
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TITLE: CALENDAR 2008 - 2009 |
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A NEW TOSCA AND BUTTERFLY
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TITLE: TOSCA TOUR |
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Before to see Tosca, Rome offers a beautiful tour in the sites where the story is developed. A lovely afternoon near the Piccolo Lirico Theatre, before the aperitif and the music of Puccini.
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TITLE: PHOTOS |
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Floria Tosca and Mario Cavaradossi are in love and all they want is to be left alone. Baron Scarpia, however, wants Floria for his physical needs. He arrests Mario for aiding a fugitive and tells Tosca she can save him by giving herself to him. She agrees, but the kiss he has so longed for is the fatal kiss of a knife blade. He had promised to set up a false execution for Mario, but the treachery of Scarpia is revealed as Mario is killed. Tosca vows to meet Scarpia in front of God as she leaps over the side of the building to her death...
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